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ART PEPPER alto saxophonist
LIFELINE
1925-1982
1925
Pepper's early work is on Central Avenue. He works with the Stan Kenton and Benny Carter bands. After an army interlude, he rejoins Kenton's big band as star soloist from 1947 to 1952. His light, clean alto sound has a stronger edge than before, and he is a tireless improvisor.

1970s
After rehabilitation in 1969-1971, Pepper returns to the jazz fray in 1975 to great acclaim, touring and recording many highly praised albums.

1950s-60s
Pepper's solo career after leaving the Kenton outfit is littered with personal problems - and spells in prison (1953-54, 1954-56, 1961-64, 1965-66) for heroin-related crimes. In the midst of this chaos some wonderful albums are made, but Pepper finds it harder to find an audience. In the 1960s he switches to tenor saxophone for a while, and under the influence of Coltrane, experiments with free jazz. He plays with Buddy Rich briefly in 1968.
He had, seemingly, the world in his palm in the early 1950s: his tortured life is best described in his searing and disturbing autobiography, Straight Life.
STYLE
Pepper represented the archetypical West Coast jazz sound - a fluid and precise lyricism, but to this he added a more fiery improvisational touch than many of his West Coast contemporaries. He was particularly effective playing ballads, employing a melodic economy reminiscent of Lester Young. His formative years were those of Parker's heyday, but his own playing was greatly influenced by Benny Carter's lyricism.

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