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J.J. JOHNSON trombone
LIFELINE
1924-2000

1924
J.J. is born in Indianapolis, starts on the piano aged eleven, and three years later starts playing the trombone.

1946-54
In New York J.J. Johnson finds himself in various small groups playing alongside the major bebop stars: Bud Powell, Max Roach, Miles Davis, Navarro and Charlie Parker. He plays in groups led by Illinois Jacquet, Dizzy Gillespie and Oscar Pettiford. Johnson retires from the jazz world for financial reasons.

1956-60s
Johnson leads various groups, mostly quintets, and tours with Miles Davis in 1961-62. His compositional projects become increasingly ambitious.
 


1941-45
After touring with Snookum Russell until 1942 (fellow band member Fats Navarro has a great impact on Johnson's playing), he plays with, and eventually arranges for, the Benny Carter band until 1945; after a short spell with Count Basie he moves to New York.

1954-56
Known as 'Jay & Kai', Johnson teams up with fellow trombonist Kai Winding: the duo is a popular success. There are occasional reunions in later years. His arrangements for the group are sometimes ambitious, with use of fugal episodes and other formal devices.

1967-2000
Johnson becomes staff composer for MBA Music and, in 1970, settles in California to write for TV and film. There are occasional forays back into jazz performance.
STYLE
J.J. Johnson is the leading trombonist of the post-war era: his technical excellence far exceeded that of his contemporaries, and his mobility and attack meant that he was able to come to terms with the bebop revolution. His improvisatory style, when pitched directly against the likes of Parker, fell back too often on bebop cliches and speed, but in the 1950s his style matured and he developed a much more lyrical approach. His influences were Dickie Wells (trombonist with the Basie band) and Fred Beckett, who before his death in 1946 played in Kansas City and with Lionel Hampton's band; but also Roy Eldridge and Lester Young.

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