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BENNY CARTER alto saxophone
LIFELINE
1907-2003

1907
Benny Carter was born in New York and was largely a self-taught musician, although he had early lessons on the trumpet which he continued to play throughout his professional life; his saxophone idol was Frank Trumbauer. Carter played in the Earl Hines band of the 1920s, and by 1928 he was both playing with and arranging for Fletcher Henderson and Duke Ellington.

1941
Carter forms a sextet and works mainly on the West Coast, and his band includes, at various times, J.J. Johnson and Miles Davis. While on the West Coast he is offered work writing for Twentieth-Century Fox films. In 1945 he settles in Hollywood - writing for films by day and playing in clubs by night. He spends 40 years writing film and television music (the theme for Ironside for example), and arranging for high profile singers such as Ray Charles.


1928-35
Carter leads his own group sporadically and his 1932 band includes Teddy Wilson, Ben Webster and Bill Coleman. In 1935 Carter moves to Paris and joins the Willie Lewis band.

1936-38
Carter works in 1936 as a staff arranger for Henry Hall's BBC Dance Orchestra, and stays on in Europe until 1938. He returns to the States in 1938 to form a big band, but commercially he has arrived too late on the scene, and his band is a financial failure.


1970s
Carter becomes more active on the jazz scene, as both teacher and performer.
Alongside Johnny Hodges, Benny Carter did more than any other to create a jazz style for the alto saxophone before Charlie Parker's appearance. He was a graceful and lyrical stylist, with long legato phrases, a pure tone and effective use of dynamics: he was the epitome of good taste. Throughout his career he was able to respond to new developments and styles of playing. He was one of the most influential arrangers of the early-big band style, in particular his arrangements for the Fletcher Henderson band between 1930 and 1932 being of note.
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