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ART BLAKEY drums
LIFELINE
1919-1990

1919
Art Blakey is born in Pittsburgh. A self-taught pianist and, even in his teenage years, a band leader, Blakey reverted to drums when he is replaced in his own band by the young Erroll Garner.

1947
Blakey has a seventeen piece rehearsal band, and a smaller group, Art Blakey's Messengers. In the late-1940s he freelances around New York, playing with Tadd Dameron and Fats Navarro, Thelonious Monk, Charlie Parker and Miles Davis.

1960s
Blakey keeps the Jazz Messengers flame burning, apart from his stint with the Giants of Jazz tour in 1971-72, for the rest of his career.



1940s
1942 finds Blakey in New York, working in the Mary Lou Williams band. He joins Fletcher Henderson's band in 1943-44, and is a founder member of the Billy Eckstine big band, with its strong leanings towards the new bebop sound.

1954-90
After brief stints with Lucky Millinder and Buddy De Franco, Blakey with pianist Horace Silver forms a cooperative band called the Jazz Messengers. Silver leaves in 1955, and Blakey assumes sole leadership. The Messengers have changing personnel, but an auspicious alumni passes through the ranks: in the 1950s Kenny Dorham and Donald Byrd, Lee Morgan, Hank Mobley and Jackie McLean, Benny Golson, Johnny Griffin, Wayne Shorter, Bobby Timmons, and, later, Freddie Hubbard, Curtis Fuller, Cedar Walton, Bobby Watson, Wynton Marsalis, and a host of other names.
Blakey was a busy drummer with prominent use of the snare drum, and, however discrete, he made sure that he was at the core of his band's performance. He was a product of the swing era, yet rhythmically he belonged to the bebop era with his use of cross-rhythms. There was throughout his career little development in his playing, although after an extended visit to Africa in the early 1950s he added African techniques to his performance. His greatest contribution to the history of jazz, however, was his ability to select strong sidemen, most of whom would go on to achieve glory themselves as bandleaders, and many of whom, Benny Golson and Wayne Shorter in particular, had great writing skills.

© Jazzscript 2002
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