In this exuberant sequel to his prize-winning The Jazz Age, Arnold Shaw captures virtually every aspect of popular music during the Depression.

Here is a colourful year-by-year chronicle of music in the 1930s, blended with chapters on broader topics - the jazz clubs on Swing Street, the Big Band boom - and spiced with interviews with major figures (such as Burton Lane and Lionel Hampton), who bring a vibrant first-hand feel to the narrative. Readers visit every corner of the music scene. We watch as the Hollywood musical takes off, highlighted by the brilliant Busby Berkeley and the luminous partnership of Fred Astaire and Ginger Rogers. We read about the incredible popularity of radio shows such as Your Hit Parade and Martin Block's Make-Believe Ballroom, which brought music to households from coast to coast. And we experience once again the great Broadway musicals of the period - from Girl Crazy to The Cradle Will Rock - written by a who's who of American song: Jerome Kern, Irving Berlin, George Gershwin, Rodgers and Hart, and Cole Porter. But above all, the 1930s was the Swing Era - when swing bands dominated dance halls, ballrooms, radio broadcasts, and record sales - and Shaw provides superb portraits of Benny Goodman, Duke Ellington. Glenn Miller, Count Basie, Tommy Dorsey, and countless others.

From Gershwin's Porgy and Bess to Disney's Snow White and the Seven Dwarfs, from Woody Guthrie to Ethel Merman, and from the Carioca to the Lindy Hop, here is an affectionate and informative account of this golden era of popular song.

ARNOLD SHAW, winner of three ASCAP-Deems Taylor Awards and author of such books as Honkers and Shouters, The Dictionary of Pop/Rock, Black Popular Music in America, Fifty-Second Street, and biographies of Sinatra and Belafonte, was Director of the Popular Music Research Center at the University of Nevada, Las Vegas. The Jazz Age won an ASCAP-Deems Taylor Award in 1988. Shaw died in 1989.

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