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Footprints The Life And Work Of Wayne Shorter Tarcher (Penguin Group), 2005 Hardback. 318pp. b&w & musical illustrations £18.99 The saxophonist and composer Wayne Shorter has done much more than leave his footprints on our musical terrain. His body of work is a monument to artistic imagination. Throughout his extraordinary fifty-year career, his compositions have helped to define the sounds of each disctinct era in the history of jazz. Shorter is also a deeply spiritual man, a Buddhist whose practice is central to his life and work. As his fellow musical great Herbie Hancock puts it: "Wayne Shorter has evolved as a human being to a point where he can synthesize all the history of jazz into a very special, very alive musical expression. Nobody else can do that now." In this first biography on Shorter, written with his full cooperation and involvement, Michelle Mercer traces the interweaving of his artistic and spiritual journeys. In many ways, Shorter's story is the story of modern American music. Born in Newark in 1933, he learned bebop as a teenager in cutting contests with Sonny Stitt and Sonny Rollins. In the 1950s, he graduated to some "hard-drinking, hard-bop years" with Art Blakey's Jazz Messengers. He was, as Miles Davis put it, the "intellectual musical catalyist" for Davis' famous 1960s quintet, and then followed the trumpeter on his electric excursions. In the 1970s, Shorter and Joe Zawinul pioneered fusion in Weather Report; at this time Shorter began his transformative practice of Buddhism. Into the 1980s and 1990s, his picturesque solos graced pop tunes such as Steely Dan's Aja and recordings by Joni Mitchell and Carlos Santana. After the tragic loss of his wife on TWA flight 800 in 1996, Shorter emerged triumphant as the leader of the Wayne Shorter Quartet - a group critics have compared to Coltrane's classic quartet and to Davis' groundbreaking quintet.Today, in his seventies, Shorter is a living legend, "jazz's all-round genius, matchless in his field as a composer, utterly original as an improviser," as The New York Times has said. His influence will be felt in music and beyond for generations to come. Filled with musical analysis by Mercer, enlivened by Shorter's vivid recollections and enriched by more then seventy-five original interviews with his friends and associates, this book is at once an intimate biography, an invaluable history of music from bebop to hard bop to fusion to pop, and a moving story of a man's struggle toward the full realisation of his gifts and of himself. A fascinating portrait of a great American artist, Footprints makes a vital contribution to the literature of music. MICHELLE MERCER is a writer and a music commentator for National Public Radio's All Things Considered. Her articles have appeared in The New York Times, The Wall Street Journal, The Village Voice and Down Beat. |
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