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52nd St. The Street Of Jazz Da Capo Press (1971) Paperback. 384pp. b&w illustrations £13.99 [PRINT ON DEMAND TITLE: COPIES AVAILABLE CURRENTLY] Back in the 1930s and 1940s - when New York City was the capital of the jazz world - you could hail a cab, ask the driver to take you to "the Street," and find youself on 52nd Street between Fifth and Sixth Avenues. Musicians, jazz lovers, college students, big businessmen - everybody knew taht this was "The Street That Never Slept," the Street that Variety editor Abel Green so aply dubbed "America's Montmartre." Here, for the price of a drink or two, you could walk through the whole history of jazz. Hot jazz was born and raised on the Street, as were the big swing bands of the 1930s and the modern 'cool' jazz combos of the 1940s. Comics like Alan King and Joey Adams got their start on the Street, as did musicians like Erroll Garner, Jack Teagarden and Coleman Hawkins. Bessie Smith performed on the Street, and so did Count Basie, Charlie Parker, Dizzy Gillespie, Billie Holiday, Art Tatum, Sarah Vaughan, the Dorsey Brothers, Artie Shaw, and many others of the jazz greats. Arnold Shaw was there - as musician, composer, PR man, and just plain listener - and he recreates for us the three swinging decades that were the history of the Street: its birth in Prohibition-era speakeasies, where musicians jammed for gin or just for the fun of it; its post-Repeal blossoming as the centre of the jazz universe, lined up and down on both sides with tiny, smoke-filled rooms where musicians, black and white, played to capacity crowds; its post-war decline when it became a tawdry collection of strip and clip joints. CONTENTS: (This book was published originally as The Street That Never Slept.) |
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