Madame Jazz is a fascinating invitation to the inside world of women in jazz. Ranging primarily from the late-1970s to today's vanguard of performance jazz in New York City and on the West Coast, it chronicles a crucial time of transition as women made the leap from novelty acts regarded as second class citizens to sought-out professionals admired and hired for their consummate musicianship. Leslie Gourse surveys the scene in the jazz clubs, the concert halls, the festivals, and the recording studios from the musician's point of view. She finds both exciting progress and lingering discrimination. The growing success of women instrumentalists has been a long time in coming, she writes. Long after women became accepted as writers and, to a lesser extent, as visual artists, women in music -classical, pop, or jazz- faced the nearly insuperable barrier of chauvinism and the still insidious force of tradition and habit that keeps most men performing with the musicians they have always worked with, other men.

With dozens of captivating and no-holds-barred interviews with both rising stars and seasoned veterans, Madame Jazz is about the history that women jazz instrumentalists are making now, as well as an inspiring preview of brighter days ahead.

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