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Stan Getz Nobody Else But Me Backbeat Books, 2002 Paperback. 176pp. b&w illustrations £14.95
At the time of Stan Getz's death in 1991, several obituaries hailed him as "a pioneer" who changed the face of jazz. As Dave Gelly shows in this new examination of the great jazz saxophonist's music, the truth is much more interesting. Getz certainly absorbed Lester Young's approach to the tenor saxophone, and without doubt popularised the bossa nova as a jazz genre with The Girl From Ipanema. But in essence, Getz was a unique, highly personal artist who spoke for nobody but himself. The real changes were those within his own playing, which grew and deepened throughout his life, sometimes even reaching beyond jazz itself. And despite all this, as this book demonstrates, Getz remained charectiristically Getz, from beginning to end. DAVE GELLY has been writing and broadcasting on jazz and allied topics for 30 years. Jazz critic for The Observer newspaper, he writes and presents for BBC radio and has written several other books. He was named "Jazz Writer Of The Year" in the 1999 British Jazz Awards. He maintains a parallel career as a tenor saxophonist. CONTENTS: |
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