This biography, first published in 1989, inclues a substantial new introduction that details Davis's turbulent last decade; the drawing and painting that became his true creative outlet; the musical lows of his final "Freaky Deaky" years; the family warfare that has erupted over his last will and treatment; and - in a long-awaited expose - the truth behind Davis's so-called Autobiography, the book that "borrowed" gigantic portions from Milestones and passed them off as Davis's. Jack Chambers breaks his silence to discuss the extent of the "borrowing" and who was responsible

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